Thursday, January 29, 2009

On the principle of symmetry

I found Pollens description of symmetry in Chapter 2 on the tulip very intriguing. He reasons that against the backdrop of a disorganized forest or the random assortments of plants, flowers provide a structural organization. He goes on to say that symmetry exhibits purpose and intent, showing that there is relevant information in the place. He also points out that symmetry is a sign of health in a being, as mutations or sicknesses disturb the symmetry a lot of the times. Therefore, he argues symmetry is significant. But I found myself asking, why is symmetry so significant to us? As an architecture student I found the theme very relevant to my major. My professors constantly stress to veer away from symmetry in modern building design. They argue that by creating symmetry a building looses identity. And take a look at modern architecture. Unlike classical architecture, modern buildings take the forms of pretty much anything but symmetrical. Why is this? Modern buildings still look appealing if not intriguing. People are interested in them and architects make tons of money of them. All without symmetry.


(Seattle Public Library)

My theory on this is that our perception of symmetry, at least in architecture, has changed. Now, instead of having a disorganized background, there is symmetry everywhere. Classical and even early modern architecture worshipped symmetry and order. The result was cities with so much symmetry that symmetry has become the "backdrop." It is a kind of a reversal of Pollen's theory. Buildings that have no symmetry or visible organization stand out from the all too familiar symmetrical backdrop of a city. So do these manifestations of strange shapes and seemingly random orders now give us the appearance of something significant and worth noting? Has symmetry been replaced?

 

3 comments:

  1. As was mentioned in class, symmetry is only one example under the broad category of pattern. The modern arcitecture that youre refering to is still very patterned, although it might not be symmetrical. What seems to have happened is that symmetry has become the 'norm' in cities, and having no symmetry has become the element of variation which makes us consider these buildings beautiful. I think that this speaks to the fact that while the first two features are constant and still necessary, variation is the most important feature, and since variation is relative, our individual and collective concept of beauty is always changing.

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  2. I think something asymmetrical does stand out from the surrounding, especially in a city. Like John said, symmetry is the norm. Someone mentioned in class about having a field of flowers all the same color but theres that one flower in the bunch that is different. Everyone is intrigued by that one flower instead of all the others. We like seeing something that is "strange." I don't think symmetry has been replaced, somethings, in my opinion, need to be symmetrical. For example i wouldn't want some weird shaped screen on my computer. Also, a lot of the modern furniture and things like that are very symmetrical which is appealing to people.

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  3. While symmetry is one important feature to identify beauty, Pollan places symmetry under the principle of pattern. Pattern can also be asymmetrical. The idea of symmetry has been adapted over centuries as beautiful. Maybe we are returning to the true principle of beauty by designing buildings that are going against our current society’s idea of the “norm.” The asymmetrical modern building in the photograph can be beautiful because it fits under the category of pattern. Not everyone accepts this type of design as beauty, but I feel we are starting to break that barrier and the building can be recognized as a significant element in the city.

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